Submission of scholarly articles for consideration is separate to creative submissions. See style and referencing guidelines below before making a submission.
All academic work submitted is subject to a double-blind refereeing process, and all creative work is selected through a single-blind reading by our independent external poetry and prose editors.
Please do not include any identifying material or cover page on the submission document as uploaded – this will ensure your submission document does not compromise a deidentified reading/assessment.
We encourage our contributors to be subscribers of the Magazine and support the publication which is supporting them! While we will accept submissions from non-subscribers, should your work be accepted for publication in this instance, we will offer you the option to take out a discounted year’s subscription as part-payment for your work.
Poetry: maximum of five poems, with maximum 50 lines each
Fiction and Creative Non-Fiction: maximum 3500 words
Scholarly Articles: maximum 5000 words
Reviews: approximately 800 words, to be published online or in print
Comics: up to four pages (page dimensions: A5)
Westerly will endeavour to give brief feedback on submissions on request.
Westerly is published twice a year in June and November. Submission windows will open for each issue as per the advertised dates. A specific Call for Submissions will be disseminated for all Special Issues (both online and in print). Submission to these issues will be according to the specific criteria set.
Please submit your work online. A link to our creative submissions portal (via Submittable) will appear at the bottom of this page while submissions are open. Scholarly articles may be submitted at any time.
When submitting online please collate poems/material into a single document or file. (Submissions including images should also upload the images themselves as single image files.) If you cannot submit your work online, please submit by post to: Westerly Centre (M204), The University of Western Australia, 35 Stirling Hwy., Crawley WA 6009, Australia. Postal submissions should include a covering letter which includes a brief, two-line biographical note and email address for correspondence. Please note that manuscripts will not be returned.
We are bound by policy to pay the minimum set fees for all work published. Payment rates are:
We aspire to pay writers Australian Society of Authors (ASA) rates when possible, depending on Westerly’s funding. We encourage our contributing authors to be subscribers of the journal, and support the publication which is supporting them! For this reason, we will offer any authors selected for publication who are not subscribers the option to take out a discounted year’s subscription as part-payment for their work.
Westerly uses Australian English spelling, referring to the Macquarie Dictionary (Macq.), and secondarily to the Australian Oxford Dictionary (AOD, 2nd edition). The Style Manual (SM) is consulted in style choices.
New paragraphs are denoted by indenting the first line. Do not insert line spaces between paragraphs.
Use:
Retain the mute ‘e’ in ‘judgement’ and ‘acknowledgement’. See the Westerly Spelling Variation Sheet for an alphabetical listing of individual words.
Use:
Use:
Use:
Use:
In scholarly articles, the use of abbreviated titles should be avoided. Those in common usage (such as ABC, ACTU, ALP) are allowed (no stops). Lengthy titles can be reduced to a shortened form (whole words) after the first reference. The names of States (Victoria, South Australia, and so on) should not be shortened.
If an illustration is to be used it should be scanned to a resolution of at least 300dpi at reproduction size and numbered (for example, ‘author’s name, no 3’). It should be sent as a separate file. The place where the illustration is to be inserted in the body of the article should be marked, with the caption immediately following. If the illustrations are not scanned, you should send the original numbered in a similar way
Westerly uses a version of MLA in-text citations (author page), with a short title to distinguish multiple works. Please follow the basic style outlined below for all referencing.
| Material Type | In-Text Citation | Works Cited |
| Book | (Stead 59) | Stead, Christina. A Web of Friendship: Selected Letters (1928–1973). Pymble: Angus and Robertson, 1992. |
| Book, Edited | (Ferrall vii) | Ferrall, Charles, Paul Millar and Keren Smith (eds.). East by South: China in Australasian Imagination. Wellington: Victoria University Press, 2005. |
| Book with Editor | (Bronte 40) | Bronte, Charlotte. Jane Eyre. Ed. Margaret Smith. Oxford: Oxford University Press, 1998. |
| Book with Translator | (Virno 89) | Virno Paolo. Déjà vu and the End of History. Trans. David Broder. London: Verso, 2015. |
| Book Chapter in Edited Book | (Jones 168) | Jones, Lawrence. ‘The Novel’ in Terry Sturm (ed.), The Oxford History of New Zealand Literature in English. Auckland: Oxford University Press, 1991. 105–202. |
| Journal Article | (Morrison 163) | Morrison, Fiona. ‘“The Elided Middle”: Christina Stead’s For Love Alone and the Colonial “Voyage In”’, Southerly 69.2 (2009): 155–174. |
| Journal Article Online | (Foucault np) | Foucault, Michel. ‘Of Other Spaces: Utopias and Heterotopias’, Diacritics 16.1 (1986): 22–27. Sourced at: http://www.jstor.org/stable/464648. |
| Magazine Article, with multiple authors | (Smith et al. np) | Smith, Claire, Gary Jackson, Geoffrey Gray, Vincent Copley. ‘Who owns a family’s story? Why it’s time to lift the Berndt field notes embargo’, The Conversation, September 14 (2018). |
For further information, refer to:
Note differences in style as in the examples above.
Works Cited: Changes to MLA referencing as per examples above, and:
In-Text Citations:
If you have any queries about a potential submission, please get in touch via our contact form.
Creative submissions for Westerly are currently closed for 2025. We will re-open submissions in early 2026 and look forward to reading your work then.
Creative submissions for Westerly are currently closed for 2025. We will re-open submissions in early 2026 and look forward to reading your work then.