Westerly Issue 65.2

With writing and ideas from Jeanine Leane, Robert Alexander, Annabel Smith, Nathanael O’Reilly, Matthew Chrulew, and many more.

Westerly 65.2 includes writing on Drew Pettifer’s exhibition “A Sorrowful Act: the wreck of the Zeewijk”.

Contents:

Creative Non-Fiction

[one_half]Caitlin Maling[/one_half][one_half_last]In process: Seven months (almost)[/one_half_last]
[one_half]Rachel Watts[/one_half][one_half_last]A recipe for craft midpandemic[/one_half_last]
[one_half]Tiffany Hastie[/one_half][one_half_last]The Clay Face[/one_half_last]
[one_half]Madeleine Hayne[/one_half][one_half_last]Mid-Morning Funeral[/one_half_last]
[one_half]Annabel Smith[/one_half][one_half_last]Unobtainium[/one_half_last]

Poetry

[one_half]Grace Yee[/one_half][one_half_last]for the chinese merchants of melbourne[/one_half_last]
[one_half]Robert Alexander[/one_half][one_half_last]Muskrat Morning[/one_half_last]
[one_half]William Virgil Davis[/one_half][one_half_last]Deer Isle, at the Cottage[/one_half_last]
[one_half]Peter Ramm[/one_half][one_half_last]Fibro Daze[/one_half_last]
[one_half]Riley Faulds[/one_half][one_half_last]Electric All-Sky[/one_half_last]
[one_half]Tim Edwards[/one_half][one_half_last]Statistics[/one_half_last]
[one_half]Ella Jeffery[/one_half][one_half_last]Soldier crabs[/one_half_last]
[one_half]Kerry Greer[/one_half][one_half_last]Circular Time[/one_half_last]
[one_half]Nathanael O’Reilly[/one_half][one_half_last]Duck Feast[/one_half_last]
[one_half]Sophia Walsh[/one_half][one_half_last]Tessa[/one_half_last]
[one_half]Anica Mancinone[/one_half][one_half_last]Yellow canary in the dollhouse[/one_half_last]
[one_half]Alison J Barton[/one_half][one_half_last]Taper[/one_half_last]
[one_half]David Thomas Henry Wright[/one_half][one_half_last][The future of the humanities in Australia] or; On {On Generosity, National Press Club address}[/one_half_last]
[one_half]Dick Alderson[/one_half][one_half_last]Easter 2020[/one_half_last]
[one_half]Patrick Deeley[/one_half][one_half_last]Begun Things[/one_half_last]
[one_half]Poetry Debbie Lim[/one_half][one_half_last]The Coffinfish[/one_half_last]
[one_half]Andrew Sutherland[/one_half][one_half_last]Arrival Time (in fifteen movements)[/one_half_last]
[one_half]Anders Villani[/one_half][one_half_last]Greensborough Plaza[/one_half_last]
[one_half]Evangeline Riddiford Graham[/one_half][one_half_last]Heirlooms[/one_half_last]
[one_half]Megan Coupland[/one_half][one_half_last]Middle Distance[/one_half_last]
[one_half]Jeanine Leane[/one_half][one_half_last]2020 Vision[/one_half_last]
[one_half]Stephen Magee[/one_half][one_half_last]That night the owl[/one_half_last]
[one_half]Kate Cantrell[/one_half][one_half_last]Things You Lost in 2020[/one_half_last]
[one_half]Rachael Mead[/one_half][one_half_last]The S-word[/one_half_last]
[one_half]Rae White[/one_half][one_half_last]Lifelike[/one_half_last]
[one_half]Zoe Barron[/one_half][one_half_last]Fish flesh[/one_half_last]
[one_half]Rita Tognini[/one_half][one_half_last]Emily Dickinson Chooses—[/one_half_last]
[one_half]Rosemary Stevens[/one_half][one_half_last]Behind the Beat of Wings[/one_half_last]
[one_half]Carolyn Abbs[/one_half][one_half_last]First Footprints[/one_half_last]
[one_half]Katrina Kell[/one_half][one_half_last]Donnybrook[/one_half_last]

Fiction

[one_half]Matthew Chrulew[/one_half][one_half_last]Reel (Always Already Unmade)[/one_half_last]
[one_half]Lal Perera[/one_half][one_half_last]Sacred Heart, Animal Man[/one_half_last]
[one_half]John Saul[/one_half][one_half_last]iPaint[/one_half_last]
[one_half]Scott Limbrick[/one_half][one_half_last]Flames[/one_half_last]
[one_half]Andrew Roff[/one_half][one_half_last]A Straight Line[/one_half_last]
[one_half]Liam Brooks[/one_half][one_half_last]The Education State[/one_half_last]
[one_half]Atul Joshi[/one_half][one_half_last]The Scent of Absence[/one_half_last]

Interview

[one_half]Ambelin Kwaymullina, Karen Wyld and Elfie Shiosaki[/one_half][one_half_last]Yarningup Aboriginal Women’s Storytelling[/one_half_last]

A Sorrowful Act: the wreck of the Zeewijk

[one_half]Amy Lin[/one_half][one_half_last]Wreck of the Zeewijk[/one_half_last]
[one_half]Amy Lin[/one_half][one_half_last]Glass onions, 1727[/one_half_last]

Essays

[one_half]Brigid Magner and Emily Potter[/one_half][one_half_last]‘Brothers and Sisters of the Mallee’: book talk between isolated readers across time[/one_half_last]
[one_half]Zhong Huang and Wenche Ommundsen[/one_half][one_half_last]From ‘Unreliable Man’ to ‘True Lover’: shifting images of Chinese men in writing by Chinese Australian women writers[/one_half_last]

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