Westerly Issue 67.1
With writing, artwork and ideas from Kerry Greer, Aileen Walsh, Kimberly L. Becker, Philip Mead, Jackson, Daniel Ray, Rikki Santer, John Saul, Kristin Sanders, Peter D. Mathews, Pidj Flavell, Emily Tsokos Purtill, Josephine Wilson, Prema Arasu, Jarad Bruinstroop, Miso Bell, Gayelene Carbis, Nathan Curnow, Jaes Bidwell and Melissa Kruger, Natalie Damjanovich- Napoleon, Shey Marque, Roseanne Dingli, the 2022 Westerly Writers’ Development Program participants and many others.
Contents:
Poetry
[one_half]Kimberly L. Becker[/one_half][one_half_last]Heimweh[/one_half_last]
[one_half]Shey Marque[/one_half][one_half_last]Patterns, Inconsistencies & Microaggressions[/one_half_last]
[one_half]Gayelene Carbis[/one_half][one_half_last]Red Horse by the River[/one_half_last]
[one_half]Jurate Sasnaitis[/one_half][one_half_last]Post-mortem | Poland[/one_half_last]
[one_half]Rosie Moana Pickett[/one_half][one_half_last]coloured diamond glowing lights[/one_half_last]
[one_half]Philip Neilsen[/one_half][one_half_last]Petrol Station[/one_half_last]
[one_half]Meesha Williams[/one_half][one_half_last]The Man Who Became a Street Name[/one_half_last]
[one_half]Jackson[/one_half][one_half_last]My father’s toolbox[/one_half_last]
[one_half]Rikki Santer[/one_half][one_half_last]House of Bears[/one_half_last]
[one_half]Stuart Barnes[/one_half][one_half_last]How To Be a Good Gay in a Small Town[/one_half_last]
[one_half]Nathan Curnow[/one_half][one_half_last]The Wolf, the Goat and the Cabbage[/one_half_last]
[one_half]Rhian Healy[/one_half][one_half_last]Ode to Weeds[/one_half_last]
[one_half]Rita Tognini[/one_half][one_half_last]The Season of Silence[/one_half_last]
[one_half]Nakita Humes[/one_half][one_half_last]Healing[/one_half_last]
[one_half]Ellie Fisher[/one_half][one_half_last]Bodily Offerings[/one_half_last]
[one_half]Peter Burges[/one_half][one_half_last]A Rebirth[/one_half_last]
[one_half]Kristin Sanders[/one_half][one_half_last]Image 12. The tutorial[/one_half_last]
[one_half]Natalie Damjanovich-Napoleon[/one_half][one_half_last]More Flies Than Stars[/one_half_last]
[one_half]Andrew Menken[/one_half][one_half_last]The (Mostly) Suburban Senryu Cycle[/one_half_last]
[one_half]Pidj Flavell[/one_half][one_half_last]The Shapes and Shakes of my Hands[/one_half_last]
[one_half]Kristian Radford[/one_half][one_half_last]Diurnal[/one_half_last]
[one_half]Brenda Saunders[/one_half][one_half_last]Yaama Ngunna Baaka: Dancing the River[/one_half_last]
[one_half]Emma Jayne Willson[/one_half][one_half_last]Trespassers[/one_half_last]
[one_half]Shelly Beamish[/one_half][one_half_last]Love begins[/one_half_last]
[one_half]Joan Mazza[/one_half][one_half_last]Adronitis*[/one_half_last]
[one_half]Jarad Bruinstroop[/one_half][one_half_last]Late Summer[/one_half_last]
[one_half]Zoe Barron[/one_half][one_half_last]Lloyd hates women[/one_half_last]
[one_half]Gale Acuff[/one_half][one_half_last]Anyone who doesn’t like me is a[/one_half_last]
[one_half]M. T. O’Byrne[/one_half][one_half_last]Red Rattler Days[/one_half_last]
[one_half]Ryan Mattern[/one_half][one_half_last]Tree House[/one_half_last]
Fiction
[one_half]Donna Mazza[/one_half][one_half_last]Chick[/one_half_last]
[one_half]Martin Kovan[/one_half][one_half_last]Prometheus[/one_half_last]
[one_half]John Saul[/one_half][one_half_last]Working with hippos (or how to get on with animals in times of pandemic)[/one_half_last]
[one_half]Daniel Ray[/one_half][one_half_last]Takeaway[/one_half_last]
[one_half]Emily Tsokos Purtill[/one_half][one_half_last]Précis[/one_half_last]
[one_half]Rosanne Dingli[/one_half][one_half_last]Phrase[/one_half_last]
[one_half]Miso Bell[/one_half][one_half_last]Bye Bye Birdie[/one_half_last]
[one_half]Jo Langdon[/one_half][one_half_last]Bird Streets[/one_half_last]
Creative Non-Fiction
[one_half]Jessie Berry-Porter[/one_half][one_half_last]I write down my father and chase myself[/one_half_last]
[one_half]Dani Netherclift[/one_half][one_half_last]When alive, my brother bore no resemblance to mermaids[/one_half_last]
[one_half]Aileen Walsh[/one_half][one_half_last]Writing for Role-Playing[/one_half_last]
[one_half]Olivia De Zilva[/one_half][one_half_last]when the world shouts your name don’t forget to answer it[/one_half_last]
[one_half]Kerry Greer[/one_half][one_half_last]A Silhouette in Grey: life in the aftermath of suicide[/one_half_last]
[one_half]Rose van Son[/one_half][one_half_last]A Room for Solace[/one_half_last]
Mid-Career Fellowship
[one_half]Scott-Patrick Mitchell[/one_half][one_half_last]November 15th, 2017 (a fragment)[/one_half_last]
[one_half]Scott-Patrick Mitchell[/one_half][one_half_last]drag this poem[/one_half_last]
[one_half]Scott-Patrick Mitchell[/one_half][one_half_last]Rubber Room[/one_half_last]
Writers’ Development Program
[one_half]Emma Crook[/one_half][one_half_last]End of the Line[/one_half_last]
[one_half]Priya Kahlon[/one_half][one_half_last]Everlasting[/one_half_last]
[one_half]Clare Testoni[/one_half][one_half_last]Graveyard Account[/one_half_last]
Review Essay
[one_half]Peter D. Mathews[/one_half][one_half_last]The Peace Offering: concluding Steven Carroll’s Eliot Quartet[/one_half_last]
[one_half]Philip Mead[/one_half][one_half_last]Toby Davidson, Good for the Soul: John Curtin’s life with poetry[/one_half_last]
Essay
[one_half]Sophie Finlay[/one_half][one_half_last]Ecofeminism, New Materialism and Lyric Subjectivity in Bonny Cassidy’s Final Theory and Megan Kaminski’s Gentlewomen[/one_half_last]
Randolph Stow Memorial Lecture 2022
[one_half]Josephine Wilson[/one_half][one_half_last]Not given, but taken[/one_half_last]
[one_half]Prema Arasu[/one_half][one_half_last]A Short History of the Ocean[/one_half_last]
Art Essay
[one_half]Jaes Bidwell and Melissa Kruger[/one_half][one_half_last]perceive[/one_half_last]
[one_half]Jaes Bidwell and Melissa Kruger[/one_half][one_half_last]be wary[/one_half_last]
[one_half]Jaes Bidwell and Melissa Kruger[/one_half][one_half_last]witness[/one_half_last]
[one_half]Jaes Bidwell and Melissa Kruger[/one_half][one_half_last]worship[/one_half_last]
Partners
